Passer au contenu principal

Votre navigateur n’est malheureusement pas entièrement pris en charge. Si vous avez la possibilité de le faire, veuillez passer à une version plus récente ou utiliser Mozilla Firefox, Microsoft Edge, Google Chrome, ou Safari 14 ou plus récent. Si vous n’y parvenez pas et que vous avez besoin d’aide, veuillez nous faire part de vos commentaires.

Nous vous serions reconnaissants de nous faire part de vos commentaires sur cette nouvelle expérience.Faites-nous part de votre opinion S’ouvre dans une nouvelle fenêtre

Elsevier
Publier avec nous

Artwork sizing

Sizing of artwork

Elsevier's aim is to have a uniform look for all artwork contained in a single article. It is important to be aware of the journal style, as some of our publications have special instructions beyond the common guidelines given here. Please check the journal-specific guide for authors (available from the homepage of the journal in question).

As a general rule, the lettering on the artwork should have a finished, printed size of 7 pt for normal text and no smaller than 6 pt for subscript and superscript characters. Smaller lettering will yield text that is hardly legible. This is a rule-of-thumb rather than a strict rule. There are instances where other factors in the artwork (e.g., tints and shadings) dictate a finished size of perhaps 10 pt.

When Elsevier decides on the size of a line art graphic, in addition to the lettering, there are several other factors to assess. These all have a bearing on the reproducibility/readability of the final artwork. Tints and shadings have to be printable at finished size. All relevant detail in the illustration, the graph symbols (squares, triangles, circles, etc.) and a key to the diagram (explaining the symbols used) must be discernible.

Sizing of halftones (photographs, micrographs, etc.) can normally cause more problems than line art. It is sometimes difficult to know what an author is trying to emphasize on a photograph, so you can help us by identifying the important parts of the image, perhaps by highlighting the relevant areas on a photocopy.

The best advice that we give to our graphics suppliers is to not over-reduce halftones, and pay attention to magnification factors or scale bars on the artwork, and compare them with the details given in the artwork itself. If a collection of artwork contains more than one halftone, again make sure that there is consistency in size between similar diagrams. Halftone/line art combinations are difficult to size, as factors for one may be detrimental for the other part. In these cases, the author can help by suggesting an appropriate final size for the combination (single, 1.5, two column).

Number of pixels versus resolution and print size, for bitmap images

Image resolution, number of pixels and print size are related mathematically:

Pixels = Resolution (DPI) × Print size (in inches)

300 DPI for halftone images; 500 DPI for combination art; 1000 DPI for line art. 72 points in one inch.

TARGET SIZE

Image width

Image width

Pixels at 300 dpi

Pixels at 500 dpi

Pixels at 1000 dpi

Minimal size

30 mm

85 pt

354

591

1181

Single column

90 mm

255 pt

1063

1772

3543

1.5 column

140 mm

397 pt

1654

2756

5512

Double column (full width)

190 mm

539 pt

2244

3740

7480

Visualization

Visualization of artwork sizing for Elsevier journals

Artwork sizing